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An ill-informed god taking to climate change with a fork, 2024
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Child of a hot planet, 2024
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Critically endangered, 2024
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E tama, kei hea koe? (Where are you from Mr?), 2024
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He whanaunga (A relative), 2024
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Maramatanga (Moon business, enlightenment, insight..), 2024
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Partners, 2024
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Seeding change, the revolution, 2024
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Te Ara (The Path), 2024
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Toi te Taiao (Māori name for the Bioethics Council), 2024
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Uncolonised, 2024
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Whakapapa, 2024
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What are we going to do with these damned humans?, 2024
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What is wealth?, 2024
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SELECTED BIBLIOGRAPHY
Tracey Clement, Traversing Worlds: John Walsh, Australian Art Collector Magazine, Issue 82, October - December 2017.
Elizabeth Caughey and John Gow, Contemporary New Zealand Art 4 (David Bateman, 2005).
Witi Ihimaera and Nagrina Ellis (eds.), Te Ata: Maori from the East Coast (Reed Publishing, 2002).
Govett-Brewster Art Gallery, Te Maunga Taranaki: Views of a Mountain, exhibition catalogue, 2001.
Te Miringa Hohaia, Gregory O’Brien, and Lara Strongman (eds.), Parihaka: The Art of Passive Resistance (City Gallery Wellington, Parihaka Pa Trustees, Victoria University Press, 2000).
John Walsh, Nanny Mango (Te Papa Press, 2000).
Sheridan Gundry, “Pathfinder Painter”, North and South, July 1997.
Sandy Adsett, Cliff Whiting, Whiti Ihimaera (eds.), Mataora (David Bateman, 1996).
Peter Beatson, Dianne Beatson (eds.), The Arts in Aotearoa New Zealand (Massey University, 1994).